Saturday, August 17, 2013

Excerpt from Tangled Web by Julie Eberhart Painter



  
Note from Julie:
 
Jack, Catherine's boss at the silk mill, is recently widowed. He invites Catherine to come to his house and help him pack up his wife Mary’s clothes for charity.

Excerpt:
 
   When she stood up to leave, she noticed that the servants were nowhere in sight. “Where did everybody go?”
            “I gave them the afternoon off.”
            “Is that proper...?” she asked in a shaking voice. Catherine moved to get her coat, but Jack caught her hand.  “Would you mind staying? I need help sorting through Mary’s clothes. I don’t know what to give to whom. I can’t seem to do it alone. If you help me, we can fill some boxes I’ve marked for Catholic Charities and the WPA program.
            “If you need me...”
            Jack cleared his throat. “If you find something you like, you can take it home—”
            “I’d feel like I was stealing from Mary,” Catherine said.
            “Not at all. Mary liked you; she’d want you to have her things. And it’s important to get the stuff out of here and get on with it. Anything you want; take it, unless it’s been photographed in the newspapers. That might start up the gossips.”
            “I don’t usually see the newspapers, Jack; how would I know what’s been in the papers?”
            “Then we’ll go through them together.” He took her hand and led her up to the bedroom he’d shared with his wife.
            A hush fell over them as they pushed through the door. The lush Oriental rug deadened the sound as it had the night she first saw Mary lying in the double bed. The thick lined draperies were pushed back, allowing the waning afternoon light to radiate into the room. The bed, its spread matching the curtains, was made up tight. The closets stood open, the rose sachet fragrance gone. Jack had placed packing boxes around the room in anticipation of her agreeing to this chore. Did he know she’d be willing? Catherine approached the largest closet remembering the night of the party when Mary had offered her the red dress.
            “She told me she had small feet.”
            “Yes.  No point in saving the shoes for you.”  He laughed, pointing to the shoe rack below. “Let’s put them into these two boxes first.”
            They worked for almost an hour. Catherine took the dresses off the hangers and folded them in tissue paper prepared for the boxes. Jack sealed and marked each box as it filled. Eventually, she came to a cloth bag that held Mary’s heavy fur coat. She unsnapped the top and peered in.  Pulling it free, she ran her hand over the luxurious dark sienna and black fur. “A genuine mink. This is gorgeous. You shouldn’t give this to charity unless you plan to auction it for a monetary donation.”
            “It’s sable, Catherine. Would you like to have it? It matches your hair.”
            “I couldn’t!  It’s not proper.  Anyway, it would make my other clothes look out of place.”
            “Um.” He stood back, his eyes roaming over her, appraising her figure. “I think it’s perfect for you. Try it on.”
            Catherine blushed, but slipped the silk brocade-lined fur over her arms and shoulders. She stood, self-conscious as it tickled her knees. It was a perfect fit and enveloped her like cream in a warm bath.
            “Mary said it took someone with more color in her face to wear it. She was right.” He licked his lips. “She usually wore the squirrel cape. You must keep that coat.”
             Catherine shook her head and began removing it. Jack raced across the room and grabbed her elbows. “Leave it.” He was panting, perhaps from the sprint. She smoothed the sleeves, tears beginning in her eyes. “It’s beautiful,” she breathed, “but I can’t take Mary’s lovely coat.”
             He looked down at her. “You deserve it.” He touched her lips with the tips of his fingers, then encircled her waist and pulled her close to him. “You’re a delicious morsel in this coat,” he said hoarsely. “You would be beautiful, in it or out of it.” He slid his moist lips down her neck and kissed his way back up to her lips. Then he took her breasts in his hands, kneading them, making them swell. Her nipples were marbles. She gasped and sagged in his arms. He caught her, lifting her onto the bed.  His hands traced the line of her legs; his fingers worked at her garters. Her back arched. 
            “This is wrong, Jack. I’m your employee and you’re out of your mind with grief.”
            “I’m out of my mind with . . . with you,” he growled. He lay down close to her and buried his face in the crook of her neck, trembling. “I know it’s wrong.” 
            She felt his tears soaking through the collar of her blouse.
            “I can’t stop,” he said. “I want you.”
            She rolled away from him, and slipped off the bed, but he caught her hand, kissing her palm. “Forgive me. It’s just that I’m so dammed lonely.”
            She nodded and sat on the edge of the bed, her feet to the floor. She smoothed her blouse and pulled her skirt over her knees. “That’s no excuse,” she said primly.
 
 
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Bio: Julie Eberhart Painter, a Pennsylvania transplant now living in Central Florida, is the author of ten books when Morning After Midnight arrives on the scene in January 2014.  
Julie is a regular contributor to http://thewritersvineyard.com/ and featured writer for http://www.wix.com/cocktailsmagazine/fictionandgossip, an online slick. She writes essay/blogs for www.writerbeat.com Her flash fiction appears under http://bewilderingstories.com/bios/painter_bio.htm
   
 

 

Wednesday, August 14, 2013

Meet Julie Eberhart Painter & How Her Unique Search Led To Her Book ~ Tangled Web


I am so pleased to bring you Julie Eberhart Painter and her story on how her book came to be.
 
Please welcome Julie and don't forget the excerpt from Tangled Web on Saturday, Aug. 17th.
 
 
 
Where the idea for Tangle Web was born:
 
The Great Depression has always fascinated me, not only was I born just before it ended, I was born of it. The protagonist in Tangled Web is my birth mother, whose name I didn't learn until I was sixty-two-years old and had raised three children of my own.

Before knowing about the real Laura Jones, my real birth mother’s real name, I had been informed by the state of Pennsylvania that her name was Catherine Lang, the progenitor on my birth certificate. This had to be an obvious fake and was uncovered, in of all places, the small island of Islay (pronounce eye-la) between Scotland and Wales. Several boozed up Welshmen sampling the Laphroaig scotch were happy to tell me Lang wasn't the proper spelling for Lange. “Lang is Scottish,” they sneered. 

These dismissive remarks reignited my desire to look for my birth family.
 
I had begun writing my memoir, including my volunteer history, which I separated out for another book, From the Inside Out, available in e-book from Barnes & Noble. While compiling the memoir, my editor suggested I was missing a key focus:  You continually blindside me with your humor and your thoughts about your search through your adoptive life, but what you are not addressing is the adoption itself.” 
 
She was right and my search began that very week.
 
From the non-identifying information, the only data allowed in Pennsylvania, I learned some very disturbing facts:
 
At the time of your birth, your birth mother was 28 years old. Because of her wish for secrecy regarding her pregnancy, as she was not married, she sought adoption planning for you.
Society was not accepting of an unwed mother at that time, and it was quite common to conceal a pregnancy and plan adoption. Her family made every effort to conceal this as well, as they were quite upset.  As a result of this wish for secrecy, your mother registered during her “confinement” at the Florence Critterdon ( Crittendon) maternity home in Wilkes-Barre, under an assumed name.  She also gave you an assumed name and it was these names that were placed on your original birth certificate.
Your birth mother placed you with the United Charities of Wilkes-Barre, with the intention that you would be placed for adoption. You were in a foster home, or boarding home as it was called at that time, under the auspices of United Charities of Wilkes-Barre until 1/6/37.  You were then transferred to a temporary foster home in Philadelphia , through the Children’s Aid Society of PA.  You remained in this home until you went to live with your adoptive family on 4/16.37. 
The social worker from United Charities who saw your mother at the time of adoption planning, felt that she was confused and upset and had difficulty recalling the circumstances surrounding her pregnancy. Your mother told the worker that she was engaged to a rather prominent politician, but did not consider marriage for some time. He was not the birth father however; rather, your mother indicated that the pregnancy, which she was not aware of until her fifth month, was the result of an assault when coming home from a party. She indicated that she did not really know what happened.
After the search, while on the phone with the social worker in Philadelphia who knew more than I ever would, she asked me, “How do you feel about your mother being raped?”
My first thought was, “Sad for her. Her life was ruined.” 
 
“Maybe not,” the social worker said. “Maybe she made a life for herself after she gave you up.”
 
And my book was born! What if my mother newly released from her prison of pregnancy took her sister and moved from the judgmental neighbors' eyes to begin a new life. She was 28 when I was born—not the usual age for unwanted pregnancies in the dark and cautious days of the Depression.


Blurb: The community

The cohesive Welsh community was a haven of Protestant values and mutual support. It was also a hornet’s nest of gossip. Neither a canary’s death nor a girl’s fall from grace escaped the community chatter.

Good girls avoided the attention of the grandmothers’ grapevine by behaving--in public--as ladies were expected to behave with good manners and self-control. In private, emotions roiled, passions were explored, appetites satiated, and the end results “talked about.”


Bio: Julie Eberhart Painter, a Pennsylvania transplant now living in Central Florida, is the author of ten books when Morning After Midnight arrives on the scene in January 2014.
Julie's Avatar for Cocktails Magazine


 
 
 
 
 
 
 
 
 
 
 
Julie is a regular contributor to http://thewritersvineyard.com/ and featured writer for http://www.wix.com/cocktailsmagazine/fictionandgossip, an online slick.
 
She writes essay/blogs for www.writerbeat.com
 
Her flash fiction appears under http://bewilderingstories.com/bios/painter_bio.htm